Louise Palmer and David Haine’s Arcadia was an exercise in landscape mimicry.  Embedding three broken blue glasses and a fourth green one into a free standing plinth Palmer created a landscape vignette of Sydney’s Blue Mountains.  Accompanying this work was a postcard edition by David Haines, which was also a similar landscape study.  Together the two works comprised a collaborative exhibition that turned on themes of nostalgia, landscape determinism.  The crepuscular mood of Haines mist enshrouded mountains, and the everyday, consumable duress of Palmer’s glasses, mixed the mundane with the paranormal.